Detail of the exterior mosaic work |
Larger shot |
One of the columns; very reminiscent of St. Mark's in Venice... |
Quick note on the Duomo: according to my mother's research, there was a priest in Bolsena during the mid-1200s who was struggling with the concept of transubstantiation (the idea that the bread actually turns into Christ's body). One day during the consecration, the bread started oozing blood and was clearly changed; he and his fellow priests did the obvious thing: they wrapped it up and took it (on horseback? Can't you picture them galloping along in their robes? Or maybe shuffling on the dirt road in their sandals) to the bishop...who happened to be in Orvieto at the time.
The bishop, quick to understand the miracle and anxious to celebrate, declared that a church must be built right on the spot...where he happened to be (as opposed to the spot where the miracle occurred; go figure). So, they built this beautiful cathedral which is dedicated to...Mary (?). I must confess that "Corpus Christi" struck me as a more appropriate name for this one, but they didn't ask me... They did house the blessed Sacrament in a gorgeous reliquary until 1980, but the interpretive sign didn't tell us what happened to it after that. One wonders, yes?
And the whole thing! |
The sweet men in my life |
went to tour Orvieto's underground. We had intended to see the wells (available at any time) but somehow were inveigled into doing the paid tour that had to be done at a particular time...5 minutes from when we showed up in the (incorrect) ticket office. Since the tour was immediately available (and I'd purchased the tickets before realizing our mistake), off we went!
Drinking ciocolatta calda (yes, they make the word feminine for the drink) |
It was fascinating. Below Orvieto are over 1400 man-made caves. They were dug out of the pozzolana and the tufo. Pozzolana is a friable material that reacts well with lime and water to make a marvelous cement. The tufo ("tuff") is a crumbly rock that (I think) hardens with air exposure (maybe water?) and was used extensively in Roman architecture because of its ease of working.
In the background is a 13th-century monastery |
View of monastery sans view of cat. |
Grinding stone for olives |
Modern rush mat like one that would have filtered the oil. You can just see the funnel- like indentation in the rock, front center-ish. |
Our tour guide in the oil pressing alcove. There would have been a wooden press + screw above the mat, and then the olive mush would have been mashed to express the oil. |
Overview of the underground oil facility |
The gable roof implies Etruria The Romans didn't do gables. |
An area for stabling animals |
Some of the mine shafts. The pozzolana would have come out as dust, and would have been carried in buckets. |
Looking up the shaft towards the surface, you can see the footholds. Let's see: climbing down hundreds of meters using footholds carved in crumbly rock...not my idea of a good time. |
The shaft looking down. |
Time for lunch. And, boy, what a lunch it was! We went to Zeppelin (no, not Led) and met Lorenzo. My parents' friends had had a meal here and had strongly recommended the place; by coincidence, Lorenzo was offering a cooking class in Atlanta shortly before my parents came to Italy -- so my mother learned how to make pasta by hand before she set foot on Italian soil! But the rest of us hadn't yet met this gastronomic paragon.
Sadly, James wasn't feeling well at lunch... |
He brought dish after dish after dish after dish after dish (get the picture?). After we'd eaten a full meal, the waitress broke the news to us that we'd finished the antipasto (appetizer course). Um, really? Can I just take a doggy bag now?
With the great Lorenzo. |
After a wonderful lunch! |
Having waddled out of Zeppelin (is there an explosion analogy to be drawn? One hopes not...), we went back to the Duomo (which I will call Corpus Christi in my head -- sorry about that) and enjoyed the special chapel to the right of the aisle. Jeremy had had some wine at lunch and was rather inclined to giggle. In his defense, among the sublime imagery there was also a wee bit of the ridiculous. It was mostly sublime, though. Lots and lots of gold and fresco and some stone inlay work (which always makes me drool). Beautiful. We stood looking until our necks hurt (we concurred that it might be looked at askance if we lay on the floor to look straight up), and then decided to leave Orvieto so we could get home before dark (the sun sets around 4:30 these days).
Too late.
Love,
Alexandra
James looking sweet in the entrance to the caves located under individuals' houses |
Steps from a house above |
A view of our narrow corridor |
Pigeoncotes! |
The window was an open hole to allow the pigeons access |
One of the nesting boxes |
Much of the vegetation is evergreen, but we do have a bit of fall color! |
The steps above are access to a house in Orvieto |
A really impressive complex... |
OK, first I'm going to need the contact information for Lorenzo!!!
ReplyDeleteSecundo, Would you mind writing dovecotes phonetically?
Gratzia!
duv-cots
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