I haven't posted on this, because I wanted to surprise Jeremy (!) with a brand-new pair of shoes. This time around, I told Signor Zoppini that I wanted to build everything by hand, including the soles (which is usual for him) and heels (these are mostly purchased, and are plastic).
So, from leather to finished product, I offer you Jeremy's shoes!
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I didn't show cutting the pattern out, so you'll have to imagine the full sheet of leather. Each piece is hand cut individually using a paper pattern created by Signor Zoppini |
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Because the leather was really thick (Jeremy likes his things to be durable), I had to grade the leather with a rather dull shiv, created by the maestro himself |
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One piece done! You can imagine the rest. Each piece took 10-15 minutes to grade and was pretty tiring on the hands |
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The edges are then turned under and glued. I then sewed the back seam, and added a ribbon stabilizer to go around the top of the shoe
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These are the little tabs that go on the back of the shoe, also graded before gluing and sewing |
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First pieces sewn...incorrectly...I think I had to take it apart, but time has blurred that memory.
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Lining sewn |
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Stabilizer at the eyelets for the laces |
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Inserting the lining |
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More lining details |
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Upper sewn (more) correctly now. |
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Eyelets inserted, top-stitching, back heel flap sewn on prior to lining insertion |
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This is the fun bit: adding a very HARD leather reinforcement at the heel. It has to be soaked overnight, sanded to grade it, and then manipulated into place for gluing. It's a great way to get rubber cement up to your armpits. |
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Lining tacked to the form. If you look at the top right of the green leather, you can see a bit chewed out. That was because Zoppini was mad at me...said I'd cut out the pattern wrong (I hadn't) and there was "far too much" leather so he hacked it off precipitately when I wasn't there. Yeah, turned out later that that part was somewhat lacking in leather.... |
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The laces have to be put in to help everything retain its shape as the shoe is stretched. |
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The grey bit under the heel is the sole into which everything is nailed and/or glued. It's a composite with the green piece at the toe |
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First look at it as a shoe. The bubble in the center is because I didn't sew the pieces together quite right. We were never able to get it out, sadly, but we made it a bit better. |
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Second shoe done to this point! |
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We also provided toe reinforcement, which is often done, as well |
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Again, the toe reinforcement is a very heavy, stiff leather that must be graded using the sanding belt, and then glued onto the lining |
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You can just see the tack holding the correct height. |
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From this angle, it looks like a shoe! |
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The lining is glued to the insole, then the upper is glued to the lining. Then the nails are hammered down to make everything nice and tight while the glue dries for a while. |
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Nail removal! |
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Prior to the next step, all the areas with bunched-up leather (primarily toes and heel) must be graded with the shiv and then sanded |
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The sanding and grading is done, mostly. More work is required on the toes. |
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This is like a bias tape to provide the border. The zigzag section is actually lower than the outer edge, so the shoe nestles into the bed. |
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This is the top view of the edge binding |
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We also needed to cut out a preliminary sole shape. The leather is actually damp still. |
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Binding is glued but drying for a minute before the next step. |
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Putting the sole on. This involves putting glue on the entire base of the shoe, on the entire sole, and letting both dry. Then the sole is hammered on firmly all over to prevent bubbles and to provide a firm grip. |
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Post hammering. Next step is to pull out the shank and trim to the edge of the binding. |
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Starting the heel cup. These are done by hand because the edge binding has the higher part, which we don't want. This allows some air space and consequent cushioning in the heel. |
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Again, this is the tough leather. I can testify that the cutting is no joke on this part! Yes, I was only allowed to do one of them. |
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Awaiting the heel addition |
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While I was gone, Signor Zoppini used his magical machine to sew the insole to the sole. |
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Here's the first part of the heel. You can see the cup here. |
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Drying...
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First layer of the full heel. Note that there are two because it will be two thicknesses high. |
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The glue is drying here. |
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Hammering on the first layer |
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These are square nails that have a propensity to bend. In this case, it's a desirable trait. |
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You nail the heel into the cup and the insole on top of the metal support. The metal makes the nails bend beautifully on the inside of the shoe so they don't poke into feet. |
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At this point, it's all uneven and ugly, but a good sanding job will take care of that. |
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Did I say a "good" sanding? Yeah, his sanding belt was worn out. So not that easy... |
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Time to cut the (very necessary for Jeremy) Vibram soles |
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A little carving with our favorite implement of destruction, then some sanding. |
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Vibram toe piece |
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Looking good! The edges are dark brown because the sander burned rather than sanded the leather. |
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A lot of blacking on the soles, cutting an insole, and putting in the real laces! |
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VoilĂ ! Perhaps not Beau Brummel's standards, but cute nonetheless. |
Love,
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