Monday, February 1, 2016

Skiing at Canazei

I've just got back from a wonderful week off work in which I participated in the Italian tradition of a settimana bianca, a "white week" being a ski vacation.  This one was organized by buddies from the running club, so I got to experience a ski week done the Italian way.

At 7:00 am last Saturday we all piled into a 9-passenger van and made the long drive from Todi to Canazei, which occupies a narrow valley in the Dolomites.  The drive to get there overrode the normal Italian desires for food, and we made only two brief stops in the 8-hour drive, neither of which were for lunch.  At 3-something we checked into the hotel and then dashed out for a much-needed bite to eat, then ski rentals and lift tickets.

We had rooms in a small hotel a couple of hundred meters from lifts to the slopes.  I think the hotel had about 15 rooms total.  Mine was perhaps the smallest, a single nestled under the eaves on the third floor.  The slope of the roof limited the ceiling height, and over the bed and toilet they had given up and squared it off at chest height.


No standing in front of this toilet.  And in fact watch your head when you get up!


And then the next morning it was off to ski!


And to ski and ski.  Canazei is a town, one of a number in the valleys of the region.  You sleep, eat, and party in those towns, and take the lifts up into the mountains each morning.  My first lift of the morning was a brand new 100-passenger cable car with a 800 meter vertical climb (three times the rise of the one at Stone Mountain).

Once on the mountain you are in a whole network of interconnected resorts and can visit others towns, make all-day circuits, or head off to distant corners.  Our lift passes covered 12 resorts and 1200 km of slopes.  We worked off a map of the four resorts that were within a one-day skiing range.

A popular set of lifts and slopes are those of the "Sellaronda", the ones that let you circle a prominence in the center called the Sella Group (the Sella Group looked large and was even larger, rising a full kilometer above the ski slopes).  The Sellaronda course is about 42 km long and takes 5-6 hours to ski.  And it is just a small part of the interconnected system.

My ski pass log--everything is electronic these days--tells me that I rode 79 different lifts in 6 days, averaged something like 43 km per day, and had a total vertical descent of 47 km.  In real terms it meant I had a blast and skied first lift to last lift six days in a row.  Actually, after last lift on our final day.  We hung around a slopeside bar until half an hour after the lifts stopped running, then made our final dusk descent into the town below as they brought out the snow cats.

Here is the gang minus one non-skiing wife:


Massimo and me in a cable car:


The weather turned out to be uncomfortably warm--mostly above zero--and that meant less-than-ideal snow conditions by midday.  One day we decided the best way to get around that was to go for altitude, so we skied to the highest peak in the Dolomites, Marmolada.

A system of three cable cars lifts you 1834 meters (over a mile!) from the base area and drops you off at 3250 meters.  Several flights of stairs later you are on the viewing platform, and as luck would have it we chose a day with fantastic visibility.  The mountains stretched off to the horizon in every direction.




Of course, then you have to ski down.  This turned out to be one of our most demanding days physically.

The gang before we started down Marmolada
This was a small church on the side of the slopes we skied the last day.  We were in Italy, after all.  Why wouldn't you have a church on the slopes?  We stopped in to pay our respects and look around.  Holy ice.


Speaking of Italy, no ski trip is complete without meals, preferably slopeside.




Dinners were included in our hotel package.  Here we are around the table at the conclusion of one, ready to head into the lounge for continued conversation and some mean rounds of cards.


Michael

Sunday, January 31, 2016

A huge loss

Those who have visited probably met Signor Grassetti. He always walked the streets of Todi with his two dogs (lately one)...one large, calm hound, and the other a bouncy miniature springbok. He always had a smile on his face, "la la"-ed La Vie en Rose and said, "Augu-u-u-u-ri!" ("Best wishes") or "Sei FORTE!" ("You're just grand"). The smile on his face was pure delight, and he was just drunk with happiness (although not wine, particularly) all the time. His faith in God was palpable (and he was unafraid to discuss it with others), and he was a shining light to the rest of us.

As you've already guessed, he died on Friday night. We are all still in shock, having seen him recently beaming as ever.

The funeral is tomorrow afternoon, and I am convinced that Consolazione will be packed. We will certainly be there to wish him his final farewell.

Sei forte, Signor Grassetti,

Alexandra

Saturday, January 30, 2016

Celestial and Terrestrial Cities

Tricia and I visited one of the most peculiar places I have seen in Italy, and I just have to share it! It's called La Scarzuola, and is the site of a Franciscan monastery that was co-opted in the 1950s to create a bizarre "ideal" city by the architect Tomaso Buzzi.

You enter the gate of the monastery and find a courtyard with exquisite terra cotta stations of the cross. The older ones were done in 1760, and there are a few newer ones that replace irreparably damaged originals. During the time we waited (there were four others with us), a crush of camper vans pulled up and 3416 people and 98 cranky dogs climbed out. Okay, the numbers may be a bit exaggerated, but it seemed that way.






And we were off! The tour guide actually lives in the facility (presumably in the monastery), and is a distant cousin to the architect. According to him, all the heirs after Buzzi died took a pass on having the property, so he landed with it. His demeanor says otherwise...more that he is smitten with it and has made it his life's work.

Marco, our guide, told us that St. Francis originally came here and built a hut with "scarzo," a type of reed. After a time, a monastery was created with funds from a local count; so it remained for some 500-600 years! The monastery was dissolved and the property sold to Buzzi at some point in the 1950s.

Entry to the well
He started off by doing some (apparently) rather peculiar things in the church (never deconsecrated, it has since been restored to some semblance of normality), and then going about creating a "Renaissance" garden. It has three paths...one symbolizing the path of religion, one the path of the material, and the last the path of love. Supposedly, the only path that leads anywhere is that of love, since the others are a question of blind obedience to externals. Hmm. I wasn't gripped by the logic. Anyway, the garden had a lovely well, so there was that.

Well, well!
The path of love...
The reedy plants in the background are "scarza"
Since the monastery represented the "ideal spiritual city," Buzzi's psychedelic trips led him to conceive of the "ideal material city." It reminded me of the writings of Garcia Marquez or Alice in Wonderland or something equally strange and unsettling. Marco took great pride in expounding on his cousin's metaphysical theories, but he completely lost me when he declared that plants were better evolved than humans because if we have our heads cut off, we die...and that doesn't happen with people. Um...roots, anyone? I did have to check out mentally, but I did enjoy wandering among the structures. It was interesting to see how everything fitted into the landscape. Some of it was really lovely. Oddly enough, his "ideal material city" includes seven theatres (not sure how these were counted, to tell the truth). This seemed rather peculiar to me, since aren't theatres generally an escape from our real, material world?

Anyway, it was something completely different, and provided some pretty strong memories!

Love,

Alexandra